Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Mar 1, 2022 | Christie's | London | 20th/21st Century: London Evening Sale | 54 | $****** - ****** | Landschap met Lopende Vrouw |
Works on Paper
29.8 x 43.5 cm (11.75 x 17.13 in)
gouache, pen and brush and ink and pencil on paper
Obach & Co., London.
Galerie Heinemann, Munich (no. 10764), by whom acquired from the above, on 23 December 1910.
Otto Gerstenberg, Berlin, by whom acquired from the above, on 14 August 1911, and thence by descent; sale, Christie's, London, 2 December 1996, lot 5A.
Acquired at the above sale by the present owner.
Berlin, Paul Cassirer, Vincent van Gogh, May - June 1914, no. 11a (titled 'Landstrasse').
Amsterdam, Van Gogh Museum, April - May 1996.
Letter from J.-B. de la Faille to Otto Gerstenberg, 24 May 1924.
J.-B. de la Faille, Les Faux van Gogh, Paris & Brussels, 1930, no. 161, pp. 38-39 (illustrated pl. XLVII; titled 'Paysage par un temps orageux' and incorrectly described as by another hand).
W. Feilchenfeldt, Vincent van Gogh & Paul Cassirer, Berlin: The Reception of van Gogh in Germany from 1901 to 1914, Zwolle, 1988, p. 156.
S. van Heugten, Vincent van Gogh Drawings, vol. I, The Early Years: 1880-1883, Van Gogh Museum, Amsterdam, 1996, p. 230 (illustrated fig. 65b; titled 'Landscape with Woman and Child').
S. Koldehoff, 'Wie Vincent van Gogh mit Milch fixierte', in Art. Das Kunstmagazin , no. 10, Hamburg, October 1996, pp. 74-75 (illustrated; titled 'Landschaft mit Frau und Kind').
Van Gogh Museum, ed., Van Gogh Museum Journal, Amsterdam, Autumn 1996, p. 11 (illustrated fig. 2; titled 'Landscape').
J. Hulsker, The New Complete Van Gogh: Paintings, Drawings, Sketches, Amsterdam, 1996, no. ADD. 22, p. 486 (illustrated).
J. Scharf & T.W. Gaehtgens, 'Die sammlung Otto Gerstenberg in Berlin', in A. Pophanken & F. Billeter, Die Moderne und ihre Sammler: Französische Kunst in Deustchem Privatbesitz vom Kaiserreich zur Weimarer Republik, Berlin, 2001, p. 181.
J. Scharf, ed., Die historische sammlung Otto Gerstenberg , vol. II, Sammlungsverzeichnis , Ostfildern, 2012, no. 441 (illustrated; titled 'Auf dem Heimweg').
VINCENT VAN GOGH (1853-1890)
Landschap met Lopende Vrouw
gouache, pen and brush and ink and pencil on paper
11 3⁄4 x 17 1⁄8 in. (29.8 x 43.5 cm.)
Executed in The Hague in April - May 1883
